Scholarship Show 2021

Each year, as a way of supporting visual arts in the community, the Allied Arts Association awards an annual scholarship to a Columbia Basin College student and to a student working towards a master’s degree in fine arts.

This year’s scholarships went to Cheyenne Storer, a student attending CBC, and Aunde Cornely, an MFA student attending Goddard College.

Inspired by a simple fascination with the human form, Cheyenne Storer began drawing at a young age. She often tried to recreate people she had seen, finding that every person has an irreplicable individuality. Storer’s penchant for finding the beauty in those around her eventually spread to other organic life, such as foliage and florals.

Storer also states, however, that while she is always able to find beauty in others, she struggles to find it in herself. She uses art to explore her own vulnerability and to attempt to find the beauty she sees in others in herself. Art allows Storer to express herself, but she also hopes to use her art to reach out and connect with others. Through art, she can normalize and destigmatize mental illness, and she can let others know they are not alone.

Aunde Cornely, the MFA scholarship recipient, is earning her degree in interdisciplinary arts with a decolonial arts praxis concentration. For the past 13 years, she has lived on an island in the Salish Sea. Her work is inspired by the shifting nature of land, sea and sky, both in her current home of Washington and in her ancestral home of Ireland. Cornely is interested in the relationships between people, places and plants, as well as how these relationships reflect identity and embody culture.

Cornerly’s photography has been displayed regionally around the Pacific Northwest. Currently, she is creating new photographic work from Ireland and developing a short animation inspired by Irish myth, folklore, geology and archaeology.

The Allied Arts Association’s scholarship exhibition will be on display at the Gallery at the Park from April 6 through April 30.

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Vitae Cyclum, the life cycle of art

When we view a work of art, we tend to see it only as it is: a finished piece. We overlook the entire process—the development of new concepts and ideas—that brought the art to us in its current state. With her new exhibition at the Gallery at the Park, titled Vitae Cyclum, Jessica Heidi Stoker hopes to change that.

To help explain the “life cycle” of art, Stoker points to Da Vinci’s Last Supper, a painting that has seen so many restorations since its creation in the late 1490s that art historians believe there to be very few, if any, actual paint strokes by Da Vinci left. The Last Supper had noticeably deteriorated by 1517, but because other artists throughout the centuries preserved and restored the work, we are still able to see it today—at least, some version of it.

Stoker uses a wide array of techniques and materials to allow viewers to experience the way art can transform over time. Her Vitae Cyclum exhibition features many small, two-dimensional works interspersed among larger paintings of diverse female figures. The smaller works demonstrate Stoker’s experimentations with the materials used in the larger paintings, essentially functioning as a behind-the-scenes look at her creative process.

Stoker also explores themes relating to the male gaze, a feminist theory describing the act of depicting women from a masculine, heterosexual perspective, which represents the female body as a sex object for the pleasure of the male viewer. Stoker’s paintings of female figures are thought-provoking works meant to elicit debate over the general concept of gaze, as well as the specific ideas of the male gaze and the female gaze.

Vitae Cyclum will be on display at the Gallery at the Park from March 9 through April 3. To learn more about Jessica Heidi Stoker, visit her website at jessicaheidistoker.com.

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Empty Bowls and Randy Berglund's Digital Reflections

This February marks the fourth year of the Gallery at the Park participating in the Empty Bowls movement!

Empty Bowls was organized by artists and craftspeople to raise money for food-related charitable organizations around the world and to promote awareness of hunger in local communities. The Gallery at the Park will donate the money it raises from this project to the Tri-Cities Food Bank.

The Gallery will be displaying and selling about 100 bowls that are handmade by community members and local artists. The bowls are made from clay, glass and turned wood.

Throughout December, the Gallery also provided free clay kits and video tutorials for community members, who then brought bowls back to the Gallery to be fired and glazed. These bowls are now on display as part of the February show, so stop by to find yours or to see bowls created by others!

The suggested donation for each bowl is $20, which goes to the Tri-Cities Food Bank. Those who donate will also receive gift cards and discount coupons from the Gallery’s restaurant partners on a first-come, first-served basis. The restaurants that have partnered with the Gallery for this event are Anthony’s Restaurants, the Emerald of Siam Thai Restaurant, Frost Me Sweet Bakery and Bistro, and Dovetail Joint Restaurant.

Along with Empty Bowls, the Gallery’s February exhibit will also feature two-dimensional artist Randy Berglund and his “Digital Reflections.”

Berglund is a digital artist and graphic designer originally from Chicago, IL, though he has lived in the Tri-Cities for most of his life. He graduated from Whatcom Community College with an associate degree in graphic design and from Western Washington University with a Bachelor of Arts degree in graphic design/new media. He has had his artwork displayed at the WSU Tri-Cities Chancellor’s exhibits in Fall 2012 and Spring 2013.

For Berglund, art is about exploring his imagination and transforming a blank canvas into an undiscovered world. He enjoys creating evocative pieces that allow viewers to examine how it makes them feel and what their relationship is to the art.

Berglund refers to his artwork as “digitally manipulated photography.” For each piece, he takes photos he has personally shot, and he digitally blends them on a computer. The result is art that is alluring, bold and surreal.

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Wearable art from Desert Fiber Arts

Throughout November and December, the Gallery at the Park showcased Gallery Aglow, an annual event featuring beautiful decorations and unique gifts made by local and regional artists. Despite the obstacles that arose this year, Gallery members were able to organize a joyous Gallery Aglow event for the holidays.

Now that both the holiday season and Gallery Aglow have come to an end, the Gallery at the Park is ready for a new exhibit: Desert Fiber Arts’ wearable art show.

Desert Fiber Arts is a nonprofit organization for fiber arts enthusiasts. It originated in 1974 for the purpose of promoting education, appreciation and participation relating to fiber arts. Members of the organization come from all around the Tri-Cities and surrounding areas.

In September 2014, Desert Fiber Arts opened a studio in Kennewick, where everyone is invited to exercise their creativity. The studio provides warped looms, spinning wheels and carders, and study groups meet to explore topics such as tatting, knitting and basketry. Stop by to learn from the area’s leading fiber experts!

The show at the Gallery at the Park will feature wearable art created by Desert Fiber Arts members. The term “wearable art” encompasses a wide variety of fiber art, including baskets, tapestries, table linens and felted creations.

This exhibit will be on display at the Gallery at the Park from Jan. 5 through 30. To learn more about Desert Fiber Arts, visit their website at desertfiberarts.org.

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Make it Plain: Part 2

This exhibition will combine artwork from Felicia Follum’s first show, Make It Plain, with new work responding to her time living in Richmond, VA in 2019 as well as the movement occurring today. Make It Plain dealt with African American history and the impact the Black church had on the community, her more recent work will be designed to encourage dialogue about race. This dialogue will focus on the process of lamentation and working towards racial reconciliation.

You can visit Felicia’s website by clicking here: feliciafollum.com

 
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Creation and Genesis 3

Creation and Genesis 3

Creation - And It Was Good

Each mini book highlights one day of the 7 day Biblical account of creation. 

Light and Dark 

Clouds and Ocean

Land, Plants, and Trees

Moon, Sun and Stars

Birds and Fish 

Man and Animals

On the Final Day God Rested


Creation and Genesis 3

Creation and Genesis 3

Genesis 3: Adam and Eve

I often hear Christians say that racism is a “heart issue” as an excuse to ignore it. Racism absolutely is a heart issue, just like every other sin in existence. I want to acknowledge that here. And yes, Jesus can change our hearts. I absolutely agree. 

Jesus didn’t ignore sin. And we don’t get to either.

As we move on through this body of work we will discuss one specific sin that has been around since the beginning. This sin literally built this country and was the backbone of the economy.

So let’s dive in! 


How Many Nooses Do You Have in Your Family Tree

How Many Nooses Do You Have in Your Family Tree

Negro Family Tree

Slavery was 4 generations ago, lynchings 3 generations, and the Civil Rights movement was our grandparents’ generation. The question this piece asks is simple. 

How many nooses are there in your family tree?


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1892 - Nooses

1892

Lynchings peaked in the late 1800s - early 1900s. With a peak of 230 people lynched in 1892. 

Lynchings became events, sometimes referred to as Negro BBQs often with hundreds or thousands of onlookers and sometimes were even events announced in newspapers or after church activities. Lynchings were referred to as “Negro BBQ” and were family gatherings, photo opportunities. Oftentimes if attendees didn’t go home with a charred piece of a human body they were disappointed. 

This piece has one noose for each person lynched in 1892.


Klanstory

Klanstory

Klanstory outlines some of the origins of the Klan and goes through the timeline leading up to Obama as president. 

Stay tuned as there may be a Klanstory: Part 2.


Framed piece: Jefferson MonumentAmerican Collage I and IIBooks:Hold OnNational Responsibility

A Monument

After visiting Monticello, Thomas Jeffersons Estate, all I could see at the Washington DC Jefferson Memorial were the fields and 600 workers who built the foundation for Jefferson’s wealth. They were quite literally the financial backbone of not only our founding fathers but this entire nation.

Artistic rendering: I did tweak history by making the fields cotton rather than tobacco.

National Responsibility (medium sized teal book with the Jefferson photo)

This country goes through phases of unrest and chaos and our leaders are not exempt from that.

America Collage I and II 

A quote by Jackie Hill Perry summarizes these two pieces quite well. 

“When I think about myself and I think about my behavior patterns.

So much of who I am is genetics, yes, but also up bringing… [So much of my mother influences who I am and] much of how she was shaped was shaped by how her parents were shaped

And before that was slavery, maybe three or four generations ago. 

SO when I look at the pathology of who I am, I cannot divorce who I am from what has come before me…

So when I apply that to America it’s hard for me to really think that America as a country could not possibly be affected by the way it was created. 

[Early Americans] literally went to another continent and took people from their homes and made them sleeves to make [our cotton and tobacco…. for hundreds of years] and then we just so happened by the grace of God to be emancipate so you have millions of slaves being set free back in to America. Now you got the Ku Klux Klan raising up. The Ku Klux Klan who was a part of the senate, a part of the government, the politicians, the police who are making certain laws that still protect their power and their whiteness and so we think, racism doesn’t still exist. 

How wouldn’t [racism exist] when its in the fabric of this country?”


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Mary Turner

Mary Turner

In Memory of Mary Turner 

Mary Turner’s husband was falsely accused of murder and was lynched by a mob. Mary was lynched the next day accused only of the crime of crying out while being forced to watch her husband’s brutal murder. She was tied upside down by her feet, her clothes were torn off and her 8 month old baby was cut out of her stomach and stomped on. She was covered in gasoline lit on fire and then her body was riddled with bullets. Her grave was marked with a whiskey bottle and a cigar stuck in the neck.

At least 13 Blacks were lynched beginning May 16, 1918 in southern Georgia.

The poem on the back of the Bottle reads

In the breeze forever their memory will loom,

A beautiful mother died and her child cut out from her womb.

That little river, a diseased and painful scar.

Your name forever worth more than this empty bottle and a simple cigar.

We remember your strength now.


Erased Truth and The Confederate Legacy

Erased Truth and The Confederate Legacy

Truth Erased and The Lost Cause Performance Art

The Lost Cause movement was a movement with the goal to rewrite the Civil War as the War of Northern Aggression. This movement created textbooks talking about how the North was abusing the South and that the war had nothing to do with slavery. Slavery was actually seen as a good thing that was helping those “poor Black people” who were incapable of governing themselves. 

Many of the confederate monuments that are being taken down today were a product of the Lost Cause Movement as an effort to keep the memory of the soldiers alive and went up in the Jim Crow era as intimidation tactics. Terms such as “states rights” became popular early on in the movement. Lee and Stonewall Jackson were rewritten as heroes rather than traitors.

The first piece of this read “Truth.” The performance aspect of this piece shows me erasing and rubbing away the truth with an eraser turned into a noose print block which was used to create a previously sold work “History Can’t Be Undone, But It Can Be Erased.” This print block was also used in the creation of “1892.”

The truth has been removed and replaced with the false confederate legacy.


Maggie Walker

Maggie Walker

Maggie Walker 

Born of a freed slave, Maggie Walker was the first black woman to charter a bank in the US. She did so in the capital city of the Confederacy, Richmond, VA during Reconstruction and Jim Crow.

Two things that I love about Walker are her faith as a devout Christian and that she was known for uniting Black leaders from a variety of backgrounds during the 1920s. Her home was located right in the middle of one of America’s “Black Wall Streets” and the “Harlem of the South.”

These two paintings are of young Maggie Walker looking up at the buildings that she would one day own, on Broad Street, the main street through Richmond, VA. The other painting is of her as a bank president in similar fashion to many of the wealthy white bank presidents of the day. 

Walker’s final words were "Have faith, have hope, have courage and carry on." Her funeral was one of the largest ever in Richmond, VA.


Topsy Turvy Klan Dye

Topsy Turvy Klan Dye

Topsy Turvy Klan Dye

Picking up the phone to hear, “We don’t want Niggers in our neighborhood! CLICK!” The family had been receiving threats from the KKK for some time.

Anthony Lee Dye Senior was sniped outside of the BBQ restaurant that he owned when leaving on June 5, 1996.

Topsy Turvy dolls go back to little slave girls. They were typically standard looking dolls with a black doll head on one side and a white doll head on the other side. The skirt of the doll is always hiding one head. There is a long traction of these dolls including ones that are little red riding hood on one side and the wolf on the other. 

This specific doll has my biological father, Anthony Lee Dye Senior, as the owner of Spring House BBQ restaurant in Georgia on one side. The other end is the KKK member who sniped him outside of his restaurant simply for being a successful Black man. 

Anthony Lee Dye’s case is still classified as an “unsolved homicide” but newspaper articles state that the family knew who had done it and there were reports of KKK calls in other newspaper articles. My half siblings also remember.


Unity Quilt Series

Unity Quilt Series

Quilts and Fiber Arts

The tradition of fiber arts is something that goes back to slave times in Black communities. My white grandmother was also a big quilter. Quilts are symbolic of community and bringing people together while keeping tradition alive.

The beauty and symbolic unity behind quilts is absolutely beautiful and something that I hope people will take away and remember from this body of artwork. There are simple activities that can be done in our community to intentionally bring those is a community together. Quilting and similar unifying activities must continue.


A Critic’s Inspiration

A Critic’s Inspiration

A Critic’s Inspiration

Change is messy. Change is a process. Often all it takes to make progress is one person seeing that something is wrong and taking that first step.


Overwhelming Love

Overwhelming Love

Overwhelming Love

I am overwhelmed by the love of God anytime I really think through the gospel story. As you have seen through this show, humans were created good, but fell from grace early on. We are all sinful and fallen beings. Yet we have a God who chose to save us from our sin through the cross. He came to save every one of us. The Klansman who killed my biological father and the rioter alike.


Graffiti Wall

Graffiti Wall


AgapetosThe Truth Will Set You FreePsalm 119:11

Agapetos

The Truth Will Set You Free

Psalm 119:11

Agapetos

Agapetos means one unique beloved son. Jesus was the one beloved of the father. In the Greek Agapetos is the titles used in “this is my AGAPETOS.” 

The Truth Will Set You Free

John 8

Jesus said, “If you hold to my teaching, you are really my disciples. Then you will know the truth, and the truth will set you free.

They answered him, “We are Abraham’s descendants and have never been slaves of anyone. How can you say that we shall be set free?”

Jesus replied, “Very truly I tell you, everyone who sins is a slave to sin. Now a slave has no permanent place in the family, but a son belongs to it forever. So if the Son sets you free, you will be free indeed.

Psalm 119:11

I have hidden your word in my heart

that I might not sin against you.


The Relevant Methods for Change

The Relevant Methods for Change


Race Talk Book

Race Talk Book

Racial Stereotypes Book Cover

In college I was accepted into a graphic design course with David Carson. One assignment was to create the materials for a book talk on our life. This is the book cover and bookmark that I created. My whole project was based on stereotypes that people had assigned me and a specific story. When I was first dating my husband I had 13 people ask me that first week first thing if he was white or Black. These people didn't ask how we met or what I liked about him or what he was like in general. It was the direct question, “is he white or Black?” 

My grandmother was one of these people to ask. Her response was “good I’m glad you found a nice white boy…” she continued to explain why in words that I don’t even say publicly. 

The other questions you see on the book are also things that I was asked regularly in high school and college.


Into the Streets

Into the Streets

Into the Streets

This accordion fold book starts out with the beauty and excitement of the freedom to hold peaceful protests, something I am grateful for in this country. It’s important to remember that 93% of the thousands of protests for racial justice are and have been peaceful. There are a couple cities that have had 100s of nights in a row of violence. Tri-Cities, and the great majority of cities are peaceful. This is illustrated on the front.

As the viewer moves to the end of the front and around to the back we see things become less clear. Ideologies split and things become messy and on the back side, they even become violent. 

This is a direct response to what I see happening today. I created this book while watching the Kenosha shootings and riots live. I was filled with anger and sadness and hurt for how broken some of these streets in our country have become. 

The confusion and lack of clarity are something that I am extremely frustrated about while simultaneously, I see immense beauty in other aspects of what is happening. This is not an either or situation. The expectation to pick a side or to put one on one side only is infuriating to me. This book illustrates the over simplification that is amplified by social media and is creating more polarization.  

The situation is complex, but the polarization we see right now is absolutely from the pits of hell. It leaves no room for dialog or actual change. I encourage you NOT to view the world in this way.


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Magazine Spread 

This quote by Shelby Steele was in the book Blood lines by John Piper. It stood out as such a great quote to describe being Black.

“The condition of being Black in America means that one will likely endure more wounds to one’s self-esteem than others and that the capacity for self-doubt born of these wounds will be compounded and expanded by the Black race’s reputation of inferiority…

Black skin has more dehumanizing stereotypes associated with it than any other skin color in America, if not the word. when a Black person presents himself in an integrated situation, he knows that his skin alone may bring these stereotypes to life in the mind of those he meets and that he, as an individual, may be diminished by his race before he has a chance to reveal a single aspect of his personality…. He will be vulnerable to the entire realm of his self-doubt before a single word is spoken…”


Be BrotherlyFe

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Mini Painting Series

I oftentimes hear people discuss about how they “don’t like Black culture.”

My Black culture does involve dance, hair conversations, church music, and connecting over common experiences that few other people really understand.

These four paintings represent the beauty of and variety of real Black culture, not what the media inaccurately portrays or what those who have never been in Black culture and yet have strong opinions.


Am I NextWho Taught You To HateBlack History is American HistoryJames Cone’s Black Jesus
My Art is my Protest

Lament

Lament Via The Psalms and Lament Chapbooks

This book approaches lamentation from a Biblical perspective and uses the Psalms to go through the process of this type of prayer and heart change. According to John Perkins, the process of lamentation can be broken into three stages.

The first step is to cry our to God. It is ok to go to Him with raw emotion. 

The second step is to petition for help. Ask for what is needed. 

The final step is to thank God for the good things he has done.
As we work through all of the chaos in our nation, I urge people to go through this process. Make it Plain mirrors these three steps.


Journal 

Take a moment to respond to the show with what you learned or what you are thinking. How can you work toward unity and racial reconciliation? What will you do next? What is something you would still like to learn? 

Thank you so much for viewing this show!

Gallery Administrator