Jay Hollick: Memories and Mapping, the artist’s vision of growing up in Richland in the shadow of Hanford.

Public Reception: Friday, June 2, 6-8pm

Like many others who were born and raised in Richland, JayHollick never thought anything of the fact that he shared his hometown with hazardous chemicals.

If you’re a lifelong resident of the Tri-Cities, you’re probably more than a little used to seeing imagery related to atomic bombs and radiation. Whether you’re out shopping, getting dinner or watching a high school football game, you will probably encounter names or logos reminding you that you live at one of the three sites where the Manhattan Project came to fruition.

It wasn’t until Hollick moved to a new town, years later, that he realized how different the Tri-Cities area is from other places. Around here, references to the atomic bomb are not just commonplace, but expected. This characteristic is one that other cities often do not share; after all, aside from only two exceptions, no other city in the nation shares Richland’s history.
This June, the Gallery at the Park’s featured show presents Jay Hollick’s take on the unique qualities that make up his hometown.

Hollick uses graphite to draw out maps depicting the relationship between himself and his city. Art is his way of gaining a deeper understanding of who he is as a person and how that relates to Richland.

Though it may seem odd to some, using maps as the medium for this project was the natural choice for Hollick. Mapmaking is undoubtedly an accepted method of recording knowledge and cataloging places, and Hollick also believes maps offer an opportunity to reflect on the past, present and future and to discover more information about the time period in which the map was created.

“In the same way that Richland has an accepted history, marked with personal stories,” Hollick notes, “the maps I create are structured documents imbued with my personal influence.”
Jay Hollick’s exhibit will be on display at the Gallery at the Park from May 31 to June 29. You can also visit Hollick’s website at jayhollick.com.

Take a tour of the show with Scholarship Chair, Nancy Barnum! Click here for video!

This May our featured artists at the Gallery will be Master of Fine Arts Scholarship recipient John Giesen of Central Washington University and Columbia Basin College continuing art student Alexis Nicole Roundy.

John Giesin was chosen to receive this year’s MFA scholarship based on his functional ceramics reflecting the belief that man was created by clay. Through functional pottery he explores the relationship of clay, flesh and life. John feels clay shares many tactile similarities with the human body. You will find his ceramics appearing both soft and malleable, resembling skin. His photography will accompany the ceramics to enhance your realization of the comparisons between clay and the human body.

John has studied broadly and has shown his art at more than a dozen exhibitions across the country. He is an MFA candidate at Central Washington University.
The Columbia Basin College scholarship for a continuing art student will be awarded to Alexis Nicole Roundy. Her work was selected for her high level of skill and commitment to art. Alexis’s paintings are vibrant and eye-catching.

In addition to the featured work by John Giesin and Alexis Nicole Roundy, artwork selected by a panel of judges of work submitted by local graduating high school seniors will also be on display. Several monetary awards will be presented to these talented art students.

Join these artists on Sunday, May 7, 1:00 – 3:00 pm for an awards presentation and reception.

Robots and Watercolors  - March 28 to April 28

This month’s Gallery at the Park exhibit, presented by Michael Boynton and Steve O’Shea, epitomizes what makes the art world so imaginative and unique. Bring your whole family for a fun day at Howard Amon, and be sure to stop by the Gallery to enjoy Boynton’s “Robots” exhibition and O’Shea’s “Kid’n Around Cover Art” show.

For the past 13 years, Boynton has taught art classes at elementary and middle schools throughout the Richland area. He works with his students on a “Robots” project, where they create found object sculptures. Boynton and his students also discuss robots in history, news and pop culture, and they contemplate various philosophical robotics questions: “Can robots replace humans?” “Will robots become self-aware?” “Do robots have rights?”

As society continues to develop technological innovations, these questions become more and more relevant. Boynton cites an economic report from 2016, in which the Obama administration predicted that 83% of future low-wage jobs (referring to jobs that pay less than $20 per hour) would be replaced by automation.

“One area of concern is the use of robots for military purposes and enforcement of political ideologies,” Boynton states. “A portion of my art in this show attempts to struggle with that question and the morality surrounding it.”

For the exhibit, Boynton presents his Victorian-inspired steampunk work. Steampunk describes a sub-genre of speculative fiction that takes place in an alternate history where technological advancement happened sooner. Boynton has created a series of unique steampunk sculptures that depict robots doing jobs from the 19th century.

The other portion of the Gallery showcases the art of Steve O’Shea, an illustrator, graphic artist, watercolorist and architect from Portland, Ore. His watercolor images appear on the covers of Kid’n Around, a Seattle-based monthly publication for children.

The Gallery at the Park show features more than 30 of O’Shea’s original Kid’n Around covers, each one unique, whimsical and filled with bright colors and hidden details. O’Shea uses watercolor, colored pencil and ink to create these beautiful works of art. The themes of these pieces include imagination, learning, play, oceans and friends and heroes.

Boynton and O’Shea’s exhibit will be on display from March 28 to April 28. The reception will be held on April 2 from 1 to 3 p.m.

On display February 28th - March 24th

Black and White

PRINTS by MARY DRYBURGH/PORCELAIN by RUTH ALLAN is an exhibition by two eastern Washington artists and educators. Ms. Dryburgh and Ms. Allan have known each other for 20 years and this show is a reflection of their long involvement in producing art in their respective media. Their shared themes and characteristics result in a diverse but unified collection.
For this exhibit, Ms. Dryburgh chose to draw pieces from 30 years of art making in the field of woodcut and intaglio. This collection of her work all basically in black and white has a strong narrative base conveying stories about men, dogs, horses and houses and the beautiful curved earth. Dryburgh says, “In my opinion, art is always about communication.”
Ms. Allan’s ceramics provides a complement to the Dryburgh’ s prints with her selection of black and white porcelain vessels. Allan’s work also spans over 30 years where she has specialized in saggar firings and Raku firings. Allan’s ceramics evoke not an intentional narrative but a sense of mysticism. Allan adds, “I do like to inspire the viewer” adding, “I find black and white nuanced in a way color can sometimes lack or obscure.”
Though these two highly accomplished artists create separately, their work has a surprising unity. Join Mary Dryburgh and Ruth Allan at a reception opening their exhibit on Friday, March 3, 6:00 to 8:00 pm at the Gallery.

Gray Rock by Felicia Follum

This February, the Gallery at the Park unveils a new art exhibition based on the theme of social change. Stop by to see both parts of the exhibition: the Empty Bowls project and the artwork of Felicia Follum.

Follum’s exhibition celebrates the diversity in our community. While she acknowledges that many people do not consider the Tri-Cities to be particularly diverse, she argues, “If you are willing to leave your bubble of comfort, there are so many levels of diversity in the Tri-Cities that I’m not even sure how to define diversity anymore.” Follum invites anyone who is still skeptical to view her art and see our community the way she does.

Follum recently moved to the Tri-Cities from Laramie, Wyo., where she presented numerous exhibitions addressing important social topics such as religion, human trafficking and racism. She hopes to continue exploring culture and diversity with her exhibition at the Allied Arts Gallery. This body of work reflects the adventures she has had in the Tri-Cities and the diverse communities she has encountered here.

On the cultural relevancy of the exhibition, Follum states, “I believe that art has the ability to bring diverse groups of people together in ways that nothing else can.”
In conjunction with Follum’s art, the Gallery at the Park’s February exhibition will also feature our own community’s contribution to the Empty Bowls project, a national movement that aims to raise money and promote awareness for the fight to end world hunger.
Local artists have donated handmade bowls of various sizes, mediums and styles to the project. The Gallery also hosted three free one-hour workshops on how to create clay bowls by hand, which more than 40 community members attended on Jan. 7. All of these creations will be displayed and sold at the Allied Arts Gallery in order to raise money for the Tri-Cities Food Bank.

Follum’s artwork is a fitting companion for the Empty Bowls exhibition, as some of the groups she has spoken to in the Tri-Cities include homeless communities and refugees who have recently entered the United States – both of which are groups that the Empty Bowls movement will help. With her exhibition, Follum aims to shed light on the poverty hidden in our community. Attendees – even those who have lived here for their entire lives – will gain a new perspective on the Tri-Cities.

The Felicia Follum/Empty Bowls exhibition will be on display until Feb. 24., and the reception will be held on Feb. 5, from 1 to 3 p.m.